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Malarz pochodzenia Holenderskiego, spadkobierca szkoły utrechckiej przedstawia nam powszechnie znany w ikonografii temat - spotkania Jezusa z wątpiącym Tomaszem, w konwencji charakterystycznej dla caravaggionistów. Wąskie kadry, gwałtowne efekty świetlne i nieco złagodzona kolorystyka. Ku jakiemu zagadnieniu prowadzi nas w swojej interpretacji? Niechybnie zapytuje o naszą w i a r ę…

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