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Czy to przypadek, że Murillo ignoruje główny nurt malarstwa kontrreformacyjnego, jakim w XVII wiecznej Hiszpanii były dramatyczne, przesycone ekspresją sceny i nieprzerwanie maluje Matkę Jezusa? Immaculata, Assunta, Madonna Różańcowa są głównym bohaterkami wielu jego płócien. Kim był mistrz z Sewilli i jaka relacja łączyła go z Maryją? Odpowiedź na te pytania znaleźć można w audycji Piękno zbawia świat.

$\"\"$

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